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conclusion

You have to admit there are some pretty cools things covered here—working with masks, faking tweens for speed, working with gradients and audio, as well as a good look into Flash's optimizing and testing tools. But it's the rhythm—the film/video cutting language we got going here—that floats my boat a bit higher, if you know what I mean. Establishing that kind of visual consistency and beat is a joy, both to create and to watch. The spot did indeed clock in at less than 20k…18k to be exact…and DSW partners (my client) was psyched.


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