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Paint and Cloning

Paint is generally your last resort, and for a simple reason. Paint work is typically more painstaking and more likely to show flaws than approaches involving masks. Of course, there are exceptions. The ability to track clone brushes gives paint work a huge advantage over masks, which are not so easy to track.

Other tasks are just plain tedious no matter how you look at them, but they are sometimes necessary or inevitable. Plate restoration and dust busting are entry-level jobs at many effects facilities; there's no way to get around them on shows whose shooting conditions and standards demand them.


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