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Chapter 6. Color Keying > Understanding and Optimizing Keylight

Understanding and Optimizing Keylight

If you carefully followed the instructions in the previous section, your composite is now either closer to looking good or has an obvious problem. If you think it's looking good, focus in on a few details, and note if there are any problems with the following in your full motion preview:

  • Hair detail: Are all of the “wispies” coming through?

  • Motion blur or, in unusual cases with a defocus, lens blur: Do blurred objects appear chunky or noisy, or do they partially disappear?

  • Screen contamination areas: Are there any remaining holes in the foreground?

  • Shadows: Are they keying as desired?


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