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Chapter 4. Compositions > Adding Layers Using Insert and Overlay

Adding Layers Using Insert and Overlay

Now you can add motion footage to your composition by using tools and techniques commonly found in nonlinear editing software. New buttons in the Footage window, for example, allow you to perform insert and overlay edits—both of which add a layer at the current time, though each affects the timeline's existing layers differently.

When you add a layer using an overlay edit, the composition's layers retain their current positions in time. The new layer is simply added as the topmost layer at the current time (Figure 4.50 and Figure 4.51).

Figure 4.50. Note the arrangement of the layers before an insert or overlay edit, as well as the position of the current time marker.


Figure 4.51. After an overlay edit, the new layer is simply added as the topmost layer at the current time.


In contrast, adding a layer via an insert edit causes the composition's existing layers to shift in time to accommodate the new layer. In other words, if the new layer is five seconds long, all layers after the current time move forward five seconds. If the current time occurs midway through a layer, the layer is split into two layers; the portion after the current time shifts forward (Figure 4.52).

Figure 4.52. After an insert edit, layers after the current time shift forward to accommodate the new layer. See how one of the layers is split at the edit point, and the portion after the edit point shifts forward.


To set source footage edit points:

1.
Option-double-click (Mac) or Alt-double-click (Windows) a motion footage item in the Project window.

The motion footage item opens in an After Effects Footage window.

2.
To set an In point, cue the current time and press the Set In button .

The In point display and the duration bar reflect the In point you set (Figure 4.53).

Figure 4.53. Cue the current time to the point you want the source footage to start, and click the Set In button to set the source In point.


3.
To set an Out point, cue the current time and press the Set Out button .

The Out point display and the duration bar reflect the Out point you set (Figure 4.54).

Figure 4.54. Cue the current time to the point you want the source footage to stop, and click the Set Out button to set the source Out point.


To insert or overlay a layer:

1.
Set the current time of the composition you want to add the layer to.

You can use the Go To Time command, the Time Controls palette, or the current time indicator in the Timeline window (as described in the task “Setting the Time,” earlier in this chapter).

2.
In the Footage window, set the source footage In and Out points (as described in the previous task).

Make sure the Edit Target section of the Footage window displays the name of the composition to which you want to add a layer. If the project contains more than one composition, the window displays the currently selected composition.

3.
In the Footage window, click either of the following:

Ripple Insert— If you check this option , all other layers will be shifted forward to accommodate the new layer (Figure 4.55).

Figure 4.55. Depending on the type of edit you want to perform, press the Insert or Overlay button.


Overlay— If you check this option , other layers will retain their current positions in time.

The selected footage is added to the composition as the topmost layer at the current time. Other layers' positions in time will depend on whether you selected an insert or overlay edit.

Tips

  • To learn about editing in the timeline, see Chapter 6.

  • Editors may also be pleased to know that a slip edit feature has found its way into After Effects. See chapter 6.


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