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Chapter 3. Raw Hide: Mastering Camera Raw > Bracketing with Camera Raw - Pg. 77

The Photoshop CS2 Book for Digital Photographers Step Seven: Keep going until you've painted the dark areas that you want back in (in this case, you get a composite where the kettle is from the darker bracketed version, while the background and shadows beneath the kettle are from the lighter bracket). If the dark areas seem too intense, slightly lower the Opacity in the Layers palette. So what you wind up with is an image like the one shown here--one where the object and background are perfectly exposed--it's the best of two photos combined.