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Acknowledgments

Acknowledgments

Special thanks to:

Nancy Aldrich-Ruenzel, Peachpit Press's intrepid publisher, for giving me the chance to do this book in the first place.

Nancy Davis, Cliff Colby, and Marjorie Baer, acquisitions editors at Peachpit, for supporting my original proposal for this book.

Becky Morgan, my Peachpit editor, for her wisdom and guidance.

Judy Ziajka, my development editor, for once again helping me to shape the book into a coherent entity and for patiently fixing my bad writing habits.

Myrna Vladic, my production editor, and Rick Gordon, our skilled compositor, for crafting the handsome volume you now hold in your hands.

Chris Breen, for letting me borrow his splendid MOTU 828mkII audio interface.

Andrei Pasternak and Helen Hampton, for lending me their electric guitars.

Steve Dampier, for creating the elegant line drawings in Chapter 5.

Reinel Adajar of Digidesign, for agreeing to supply the photo of the Mbox used in Chapter 5.

Jim Cooper of Mark of the Unicorn, Inc., for granting permission to use the photograph of the 828mkII, also used in Chapter 5.

Jeff Taylor Cross of Apple Computer, for clarifying some of the mysteries of Apple's audio software products.

And of course, to Linda and Emma, my wife and daughter, for cheering me on.

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