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Chapter 5. Building a Song > Making a Slow Pad with the Malström

Making a Slow Pad with the Malström

Now let's use some of what we've learned to create a slow, evolving pad with just one note in our Sequencer.

Here's an example of a creepy, evolving pad that uses one modulator on each oscillator with different shapes and very low rates. This sound uses no filtering or tone shaping. When the filters aren't being used, you can bypass the master controls altogether and run sound out the oscillator outputs instead of the default main outputs.


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