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Index


[SYMBOL] [A] [B] [C] [D] [E] [F] [G] [H] [I] [K] [L] [M] [N] [O] [P] [Q] [R] [S] [T] [U] [V] [W] [X] [Y] [Z]

LAB channels
Lab color
Lab values
Lasso tools
     Magnetic Lasso 2nd 3rd
     masking and
     modifying selections and
     Polygon Lasso 2nd 3rd 4th 5th
     selecting hair with
     standard Lasso 2nd
Layer buttons 2nd
Layer icon size
Layer Mask button
layer masks 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th 13th 14th 15th 16th 17th 18th 19th 20th 21st 22nd 23rd 24th 25th 26th 27th 28th 29th
     activating 2nd 3rd
     adding
     Background layers and
     black
     black-and-white 2nd
     color temperature 2nd 3rd 4th
     combining exposures 2nd
     deleting
     described 2nd
     dynamic range 2nd 3rd 4th 5th
     graduated 2nd 3rd 4th 5th 6th 7th 8th 9th
     inverting
     luminosity 2nd 3rd
     merging exposures 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th 13th 14th 15th 16th
     opacity
     painted 2nd 3rd 4th
     painting on
     positioning
     refining
     selections 2nd 3rd
     sharpening effects and 2nd
     texture 2nd 3rd
     viewing 2nd
     vs. alpha masks 2nd
     white
     working with 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th 13th
Layer option
Layer Set button
layer sets
     adding
     blending modes
     color-coding
     described
     naming
     placing layers into
     working with 2nd
layer stacks 2nd
layer-based masks 2nd 3rd 4th 5th
layers 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th 13th 14th 15th 16th 17th 18th 19th 20th 21st 22nd 23rd 24th 25th 26th 27th 28th 29th 30th 31st 32nd 33rd 34th 35th 36th 37th 38th 39th 40th 41st 42nd 43rd 44th 45th 46th 47th 48th 49th 50th 51st 52nd 53rd 54th 55th 56th 57th 58th 59th 60th 61st 62nd 63rd 64th 65th 66th 67th 68th
     activating 2nd
     adding
     adding layer masks to
    adjustment [See Adjustment layers]
     advantages of 2nd
     aligning
     attributes 2nd 3rd 4th 5th 6th 7th 8th
     auto selecting
    background [See Background layers]
     base
     benefits of
     blending modes 2nd 3rd 4th 5th
     Channel Mixer
     Clipping Masks 2nd 3rd 4th
     Clouds
     Color Fill 2nd 3rd
     color-coding
     combining exposures 2nd
     composite
     copying parts of
     Curves Adjustment 2nd 3rd 4th 5th 6th 7th
     deleting
     described
     disadvantages of 2nd
     discarding
     displacing
     distributing
     duplicate 2nd
     effects 2nd 3rd
     empty
     file size and 2nd
     fills 2nd 3rd 4th
     flattened 2nd 3rd
     global changes to 2nd 3rd 4th 5th 6th
     gradient 2nd
     hidden 2nd
     image effects 2nd 3rd 4th 5th 6th 7th 8th 9th 10th
     images 2nd 3rd
     linked 2nd 3rd 4th 5th
     locking
     merged 2nd 3rd 4th
     moving 2nd
     naming 2nd 3rd
     navigating 2nd
     neutral 2nd 3rd
     opacity 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th
     partial
     pasting
     Photo Filter 2nd
     pixel information 2nd 3rd
     positioning 2nd
     protecting
     punching through 2nd 3rd
     scaling
     selecting
     showing
     styles 2nd 3rd
     texture 2nd 3rd 4th 5th
     transforming 2nd
     transparency 2nd 3rd 4th
     troubleshooting
     turning off
     type 2nd 3rd
     types of 2nd 3rd 4th 5th 6th 7th 8th 9th
     uses for
     viewing
     Vivid Light 2nd 3rd
     Work in Progress (WIP)
     working with 2nd 3rd 4th 5th 6th 7th
Layers palette 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th 13th
     attributes 2nd 3rd 4th 5th 6th 7th 8th
     fly-out menu 2nd 3rd
     illustrated
     Layer buttons 2nd
     linking 2nd
     naming layers
     positioning layers
     viewing
     visibility
Layers Palette Options dialog box
Leave As Is option
Lens Blur filter
     adjusting focus 2nd
     blurring backgrounds 2nd 3rd 4th 5th 6th 7th
lens flare 2nd
Lens Flare filter 2nd
Lensbaby images 2nd
lenses 2nd 3rd 4th 5th 6th
Level controls 2nd 3rd
Levels Adjustment Layer
Levels command
     increasing contrast
     mask density 2nd
Levels histogram 2nd
light beams 2nd 3rd
light meter
Lighten blending modes 2nd 3rd
Lightening Group blending modes
lighting 2nd 3rd 4th 5th 6th
     angle of 2nd
     architecture and 2nd 3rd
     attributes
     backlighting 2nd
     beams of 2nd 3rd
     color temperature 2nd
     considerations 2nd
     direction of 2nd
     distance
     fantasy light 2nd
     fill
     highlight contrast 2nd
     image luminosity 2nd
     intensity
     lens flare 2nd
     main
     photorealistic compositing 2nd 3rd 4th 5th 6th 7th 8th 9th 10th 11th 12th
     quality of 2nd 3rd 4th
     selections
     shadows
     Spotlight effect
     studio 2nd 3rd 4th
     twilight effects 2nd 3rd
Lighting Effect filter
lighting equipment 2nd 3rd
lighting settings 2nd
Linear Burn blending mode 2nd
Linear Dodge blending mode 2nd 3rd
Linear Light blending mode 2nd
lines
     grids
     image composition
     perspective 2nd 3rd 4th
linked layers 2nd 3rd 4th 5th
Liquify filter 2nd
Load Channel as Selection button
Load Selection command 2nd 3rd
locations 2nd 3rd 4th
Lock All control
Lock buttons
Lock Image Pixels control
Lock Position control
Lock Transparent Pixels control
locked layers
logs, history
Loose option
luminance masking 2nd 3rd 4th 5th 6th 7th 8th 9th 10th
luminance masks 2nd
Lumine category
luminosity
     images 2nd
     loading 2nd
Luminosity blending mode 2nd

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